seth3556r (November 30, 1999 at 12:00 am)

Can you use any other form of altering the Dominant 7th chords in that progression or can you only use the #5.

KarloR27 (November 30, 1999 at 12:00 am)

Pity he doesn't speak English but good we have the subtitles.

DannyDSHomebrew (November 30, 1999 at 12:00 am)

No he doesn't, dumbass.

williestratton (November 30, 1999 at 12:00 am)

he looks alot like Django

yhlafon (November 30, 1999 at 12:00 am)

Clair!!Vraiment bienmerci Romane

samdamagicman (November 30, 1999 at 12:00 am)

Does anybody know where I could find the exercises and scales mentioned?

seth3556r (November 30, 1999 at 12:00 am)

No buddy, C is ionian, D is dorian, A7 is aeolian but you can substitute and get that if you would like it, instead of Aminor7. In the progression he replaced the ionian degree for the phrygian degree so he could play Eminor9, since he said that you can add a 9 to the progression, and now you have Eminor7 there (Eminor7 is your new Cmajor7) you're now allowed the 9. How about you send me a message on my profile and I can help you with your understanding of Jazz Theory.

GUNZaBLAZE (November 30, 1999 at 12:00 am)

ahhhhh ok. thanks everybody you all were very helpful!!

willfranks2003 (November 30, 1999 at 12:00 am)

I think he said you can substitue Eminor for the Cmajor7, but also you can substitute the 6th chord which is usually minor, you can make that a dominant chord with a sharp 5 in it thus the A7#5

b3n01t1Nb3rl1n (November 30, 1999 at 12:00 am)

I see why you are confused. The first time he plays Em7/A7/Dm7/G7, he should play CM7/A7/Dm7/G7, because that far (0min54) he has not explain anything about it.hope it helps you